Surrealism and Us: Caribbean and African Diasporic Artists since 1940
Surrealism and Us: Caribbean and African Diasporic Artists since 1940
“Edited with text by María Elena Ortiz. Preface by Marla Price. Text by Annette K. Joseph-Gabriel, Negarra A. Kudumu, Ashley Stull Meyers, Lindsey Reynolds.
How modern and contemporary artists across the African and Caribbean diasporas transformed European Surrealism into a tool for Black expression
On the centennial anniversary of André Breton’s first Surrealist Manifesto, Surrealism and Us shines new light on how Surrealism was consumed and transformed in the Caribbean and the United States. It brings together more than 50 works from the 1940s to the present that convey how Caribbean and African diasporic artists reclaimed a European avant-garde for their own purposes.
Since its inception, the Surrealist movement—and many other European art movements of the early 20th century—embraced and transformed African art, poetry and music traditions. Concurrently, artists in the Americas proposed subsets of Surrealism more closely tied to African diasporic culture. In Martinique, Aimé and Suzanne Césaire proposed a Caribbean Surrealism that challenged principles of order and reason and embraced African spiritualities. Meanwhile, artists in the United States such as Romare Bearden and Ted Joans engaged deeply with Surrealist ideas. These trends lasted far beyond those of their European counterparts. Indeed, the term “Afro-surrealism” was created by poet Amiri Baraka in 1974; today the movement still flourishes in tandem with Afrofuturism. The Surrealism and Us catalog is divided into three themes: “To Dare,” “Invisibility” and “Super/Reality”. These sections, galvanized by scholarly essays, create transnational and multi-generational connections between Black life and artistic practice over the past 100 years.
Artists include: Firelei Báez, Agustin Cárdenas, Myrlande Constant, Rafael Ferrer, Ja’Tovia Gary, Hector Hyppolite, Ted Joans, Wifredo Lam, Simone Leigh, Kerry James Marshall.
Cossette Zeno's "Rubén" (1952), is reproduced from 'Surrealism and Us: Caribbean and African Diasporic Artists since 1940.'“
PUBLISHER
DELMONICO BOOKS/MODERN ART MUSEUM OF FORT WORTH
BOOK FORMAT
Hardcover, 9 x 11 in. / 208 pgs / 96 color / 9 bw.
PUBLISHING STATUS
Pub Date 4/2/2024
Active
DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2024 p. 18
PRODUCT DETAILS
ISBN 9781636811284 TRADE
List Price: $55.00 CDN $79.00 GBP £48.00
AVAILABILITY
In stock
TERRITORY
WORLD
TEXT FROM ARTBOOK.COM
Surrealism and Us: Caribbean and African Diasporic Artists since 1940
“Edited with text by María Elena Ortiz. Preface by Marla Price. Text by Annette K. Joseph-Gabriel, Negarra A. Kudumu, Ashley Stull Meyers, Lindsey Reynolds.
How modern and contemporary artists across the African and Caribbean diasporas transformed European Surrealism into a tool for Black expression
On the centennial anniversary of André Breton’s first Surrealist Manifesto, Surrealism and Us shines new light on how Surrealism was consumed and transformed in the Caribbean and the United States. It brings together more than 50 works from the 1940s to the present that convey how Caribbean and African diasporic artists reclaimed a European avant-garde for their own purposes.
Since its inception, the Surrealist movement—and many other European art movements of the early 20th century—embraced and transformed African art, poetry and music traditions. Concurrently, artists in the Americas proposed subsets of Surrealism more closely tied to African diasporic culture. In Martinique, Aimé and Suzanne Césaire proposed a Caribbean Surrealism that challenged principles of order and reason and embraced African spiritualities. Meanwhile, artists in the United States such as Romare Bearden and Ted Joans engaged deeply with Surrealist ideas. These trends lasted far beyond those of their European counterparts. Indeed, the term “Afro-surrealism” was created by poet Amiri Baraka in 1974; today the movement still flourishes in tandem with Afrofuturism. The Surrealism and Us catalog is divided into three themes: “To Dare,” “Invisibility” and “Super/Reality”. These sections, galvanized by scholarly essays, create transnational and multi-generational connections between Black life and artistic practice over the past 100 years.
Artists include: Firelei Báez, Agustin Cárdenas, Myrlande Constant, Rafael Ferrer, Ja’Tovia Gary, Hector Hyppolite, Ted Joans, Wifredo Lam, Simone Leigh, Kerry James Marshall.
Cossette Zeno's "Rubén" (1952), is reproduced from 'Surrealism and Us: Caribbean and African Diasporic Artists since 1940.'“
PUBLISHER
DELMONICO BOOKS/MODERN ART MUSEUM OF FORT WORTH
BOOK FORMAT
Hardcover, 9 x 11 in. / 208 pgs / 96 color / 9 bw.
PUBLISHING STATUS
Pub Date 4/2/2024
Active
DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2024 p. 18
PRODUCT DETAILS
ISBN 9781636811284 TRADE
List Price: $55.00 CDN $79.00 GBP £48.00
AVAILABILITY
In stock
TERRITORY
WORLD
TEXT FROM ARTBOOK.COM
Surrealism and Us: Caribbean and African Diasporic Artists since 1940
“Edited with text by María Elena Ortiz. Preface by Marla Price. Text by Annette K. Joseph-Gabriel, Negarra A. Kudumu, Ashley Stull Meyers, Lindsey Reynolds.
How modern and contemporary artists across the African and Caribbean diasporas transformed European Surrealism into a tool for Black expression
On the centennial anniversary of André Breton’s first Surrealist Manifesto, Surrealism and Us shines new light on how Surrealism was consumed and transformed in the Caribbean and the United States. It brings together more than 50 works from the 1940s to the present that convey how Caribbean and African diasporic artists reclaimed a European avant-garde for their own purposes.
Since its inception, the Surrealist movement—and many other European art movements of the early 20th century—embraced and transformed African art, poetry and music traditions. Concurrently, artists in the Americas proposed subsets of Surrealism more closely tied to African diasporic culture. In Martinique, Aimé and Suzanne Césaire proposed a Caribbean Surrealism that challenged principles of order and reason and embraced African spiritualities. Meanwhile, artists in the United States such as Romare Bearden and Ted Joans engaged deeply with Surrealist ideas. These trends lasted far beyond those of their European counterparts. Indeed, the term “Afro-surrealism” was created by poet Amiri Baraka in 1974; today the movement still flourishes in tandem with Afrofuturism. The Surrealism and Us catalog is divided into three themes: “To Dare,” “Invisibility” and “Super/Reality”. These sections, galvanized by scholarly essays, create transnational and multi-generational connections between Black life and artistic practice over the past 100 years.
Artists include: Firelei Báez, Agustin Cárdenas, Myrlande Constant, Rafael Ferrer, Ja’Tovia Gary, Hector Hyppolite, Ted Joans, Wifredo Lam, Simone Leigh, Kerry James Marshall.
Cossette Zeno's "Rubén" (1952), is reproduced from 'Surrealism and Us: Caribbean and African Diasporic Artists since 1940.'“
PUBLISHER
DELMONICO BOOKS/MODERN ART MUSEUM OF FORT WORTH
BOOK FORMAT
Hardcover, 9 x 11 in. / 208 pgs / 96 color / 9 bw.
PUBLISHING STATUS
Pub Date 4/2/2024
Active
DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2024 p. 18
PRODUCT DETAILS
ISBN 9781636811284 TRADE
List Price: $55.00 CDN $79.00 GBP £48.00
AVAILABILITY
In stock
TERRITORY
WORLD
TEXT FROM ARTBOOK.COM